Margo
Victor’s most recent solo exhibition was comprised of an
installation of sound, digital imagery and sculptural abstraction.
For LAMOA her current installation includes a 16 mm film and
representational sculpture in the form of tangible vessels and
objects.
Referring
to the Mesoamerican civilizations- their creations, monuments and
legacies, Victor has created vessels as stand-ins in homage to their
lasting effects on culture and cultural output.
Victor’s
ongoing interest with the idea to represent blood and what it means
on film is recurrent in this work. The paradox of abstraction vs.
representation is created on film around the idea of blood; its
viscosity, the way it behaves, drips, dries… all of the essentials
that connect what we expect and understand in representation – of
blood.
Beyond
this, the film represents sacrifice, casualties, and of course life.
